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PostPosted: Mon Nov 27, 2006 1:11 am 
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Koa
Koa

Joined: Sat Feb 12, 2005 6:20 am
Posts: 1437
First name: Bob
Last Name: Johnson
City: Denver
State: CO.
Zip/Postal Code: 80224
Country: USA
Focus: Build
Status: Amateur
I have seen responses here that indicate that those that use 1/4" saddles believe that extra width makes better for intonation. True? If so., why don't more members use the thicker saddle?


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 Post subject:
PostPosted: Mon Nov 27, 2006 1:15 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Sun Dec 25, 2005 6:32 am
Posts: 7774
Location: Canada
Good question Bob, i used a thinner one on no 2 but noticed that Hesh and Alain use thicker ones that seem to help, i am curious on this matter too so i'll bump to hear more!


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 Post subject:
PostPosted: Mon Nov 27, 2006 1:19 am 
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Brazilian Rosewood
Brazilian Rosewood
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Joined: Fri Jun 10, 2005 9:51 am
Posts: 2148
Location: San Diego, CA
First name: Andy
Last Name: Zimmerman
City: San Diego
State: CA
Zip/Postal Code: 92103
Country: United States
Focus: Build
Probably because of tradition. Also, some don't like the look of a wide
saddle. Personally if you place your saddle slot correctly you should be
able to intonate with as narrow as 3/32 but it is a lot easlier with a wider
one. I am switching to 3/16ths.    With a wider one, you also can have a
more gentile slope on the tail side of the saddle which allow for better
contact and you are less likely to break strings. Also, if you change string
types etc you have more flexibility to adjust it.

1/4 is a pretty thick. I think Brock is using that width. Hopefully he will
chime in.

I asked this question in a poll recently and 1/8th was clearly the most
common. I asked Ervin Somogyi and Mike Doolin since I respect them
highly and they both use 3/16th

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Andy Z.
http://www.lazydogguitars.com


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 Post subject:
PostPosted: Mon Nov 27, 2006 1:24 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Sun Dec 25, 2005 6:32 am
Posts: 7774
Location: Canada
Thanks Andy, makes sense to me to use a wider saddle also, the question remaining is how wide is too wide for aesthetics, i'm guessing that 3/16" would look right too!


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PostPosted: Mon Nov 27, 2006 1:33 am 
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Brazilian Rosewood
Brazilian Rosewood
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Joined: Thu Jan 06, 2005 7:29 am
Posts: 3840
Location: England
Mine are 3.5mm and have been plenty wide enough for me. If I had trouble with intonation, using one that wide, I'd probably go to the split saddle like my compatriot Dave White uses.

Colin

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I don't believe in anything, I simply make use of a set of reasonable working hypotheses.


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 Post subject:
PostPosted: Mon Nov 27, 2006 1:36 am 
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Old Growth Brazilian Rosewood
Old Growth Brazilian Rosewood
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Joined: Mon Dec 27, 2004 1:20 pm
Posts: 5915
Location: United States

It isn't about intonation, it is about how the string makes contact with the saddle.

Ervin Somogyi wrote an indepth article about it in an old AL or Guitarmaker journal. It is pretty convincing.

I will see if I can dig up what mag and issue it was.


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Brock Poling
Columbus, Ohio
http://www.polingguitars.com


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 Post subject:
PostPosted: Mon Nov 27, 2006 4:20 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Sun Dec 25, 2005 6:32 am
Posts: 7774
Location: Canada
Thanks Brock!


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 Post subject:
PostPosted: Mon Nov 27, 2006 5:39 am 
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Contributing Member
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Joined: Sun Jul 24, 2005 1:53 pm
Posts: 1075
Location: United States
First name: Coe
Last Name: Franklin
City: Decatur
State: IN
Country: USA
IIRC, Frank Ford`s site has some pretty good info.
I can`t seem to find the link at the moment, though.

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Give me 50 cents worth of regular.
Check my oil too, if you don`t mind,,,


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